Balance in Fiction Writing

Balance.

A few days ago, Ellen Gable Hrkach posted a great blog on common errors to avoid in writing fiction. One item she mentioned got me to thinking, namely too much dialogue.

What’s ‘too much’?

A lot of times that depends on the genre you’re writing. Clearly, screenplays and graphic novels rely almost exclusively on dialogue.

Novels, however, require a blend of narrative, description, introspection and dialogue. The ratio of one to the other changes with both prevailing ‘style’ and with genre. Novels written a century ago utilize long passages of description and flowery stretches of dialogue, whereas the trend today is for faster, tighter construction in all areas, especially dialogue.

How do you know if your manuscript has a good balance? Part of this comes down to voice, that elusive factor that makes your work yours. However, we’ve all had the experience of reading a book and finding ourselves skipping over passages, maybe even pages. If we skip too much, we’ll put the book down – and if that happens, we may never pick it up again.

Not good, if you’re the author.

Next time this happens, stop and analyze why you lost interest. Chances are there was too much of one element on the page. Too much description. Too much internal monologue, or perhaps too much narrative. Sometimes too much dialogue, but if that’s problematic, it’s more likely because the ‘voices’ of the characters are too similar. They need to be so distinctive that the reader knows who is speaking. Even so, if they go on for pages, the reader may tire. (For more on dialogue, click here.)

One helpful technique is to analyze your manuscript for the different elements and highlight the pages. Margie Lawson teaches a method for this in her Deep Editing classes. Choose different colors for narrative, description, emotion, dialogue, and internal thought, etc., then go to town with your highlighters (or crayons, or whatever your inner child wants to play with!). If one color dominates a page, revision might be in order. One of my critique partners occasionally says of my work, “This section has too much yellow.” Since we’ve both taken Lawson’s class, I immediately understand what the problem is. My work flows better if the page has a rainbow of colors. Another application of this technique is to apply your highlighters to one (or more) of your favorite published books.

Keep in mind there is no ‘one size fits all’ in fiction. Thank God! Otherwise, reading would get boring! Check out a wide variety of books to see how other authors manipulate the elements that create story.

For instance, action novels such as Lee Child’s Reacher series use lots of dialogue, but it’s nearly all less than one line long. Child also uses relatively long stretches of description/narrative, and he tends to go with one or the other at any given point. His books are effective, powerful, and popular.

Debbie Macomber takes a more blended approach in her wildly successful women’s fiction and romance novels. You will find narrative, description, introspection and dialogue on nearly every page.

Many authors are exploring screenwriting classes, some for the challenge of breaking into a new field, but most for a better understanding of both story structure and use of dialogue. While this is an excellent strategy for honing of specific elements, written fiction is more effective and more engaging when the entire spectrum of tools are used to create the final product.

The subject of balance also touches on pacing, which is a topic deserving of its own post. Narrative, description, and interior monologue can slow the pace—although skillfully applied, they can ratchet up the tension until it is unbearable. Dialogue tends to speed things up.

As you can see, there isn’t a cut-and-dried answer to ‘how much is too much’. But a willingness to analyze and evaluate your writing will always make it stronger. Look at your work with an eye toward what you want to accomplish in a given scene. Learn to use all the tools in your toolbox. Buy books on the craft of writing. Review them once in a while. Take classes. Be open to feedback from trusted colleagues, and then decide how (or if) you will apply their advice.

Find the best balance for your story and your voice.

Have you struggled with this aspect of writing? Do you have tips to share? Please do!

President’s Message – February 2013

photo copyright Josh Hrkach

“The future starts today, not tomorrow.
Blessed John Paul II

Every year, around this time, winter seems like it will go on forever and many wish for the warmer days of spring. This is much like the mother with a small baby who longs for her child to grow older so she may get more sleep and enjoy her freedom. For the Catholic writer, we often yearn for the day when our current project is finished.

This month, I’ve already seen some of the most brilliant sunrises of the year. When it is stifling hot in August, I will wish for these cooler days. The years when my five children were small seem like a blur to me, and I yearn to experience their baby giggles and toddler exploits and all those joy-filled moments that made up for any lost sleep.

I’ve been working on my current “work in progress” for almost five years. For the past year or so, it has been going nowhere fast. All of a sudden, in late December, I sat down to work on it and it seemed to come together within a few short weeks. Yet, it didn’t, really. It was in the blood, sweat and tears of the previous five years that has allowed for the final stages to go more smoothly.

It is in these day-to-day struggles that we, as Catholics, not only can grow in our particular vocation, but we can also increase in virtue.

And so…I encourage you to see the positive in every day. Enjoy the winter sunsets, your baby’s smiles and your characters’ exploits.

In CWG news, the Board has recently approved a new logo. Plans are moving forward for the redevelopment of the CWG website. New members are joining. Soon, we will be organizing and planning for the Catholic Writers Conference Live (August 7-9) and the Catholic Writers Retreat in October.

And if I can brag for a brief moment: earlier this week, for the first time ever, ALL SIX of my company’s books (including my four) were simultaneously on at least one Kindle bestseller list for three days! How cool is that? When I first started writing Catholic fiction, a self-proclaimed expert told me, “Nobody buys Catholic fiction.” I guess that self-proclaimed expert had no idea what he was talking about.

As always, if you have a concern, a question or just want to chat about writing or publishing, please feel free to drop me a line: president(at)catholicwritersguild.com

Blessings,

Ellen Gable Hrkach
President, Catholic Writers Guild

Improving Your Fiction Manuscript: Common Errors To Avoid


A good novel begins with a great story, a compelling plot, interesting characters. But it doesn’t end there. A good novel also needs to be well written.

I’ve been editing other authors’ novels for two years and writing novels for ten years. What follows are the most common mistakes I see in fiction manuscripts and self-published novels. By finding and fixing these common errors, you can improve your manuscript before it gets to the editor.

1. Overuse of Adverbs
If you’re working on a manuscript right now, do a “find” or “search” for every word that ends with ly. Now remove half of them. Your manuscript is already better. Even without doing a search or find, read each sentence. Are there two adverbs in some sentences? Recent manuscripts I’ve read contain sentences with two or three adverbs.

2. Repetitive Wording
Just, so, very, some. It’s difficult for an author to see his/her own mistakes. Have someone else read through your manuscript to assist you with this. For me, I often can’t see that I often use the same word often in the same sentence (see what I mean?) Or…read your manuscript backwards. This helps to show you areas of repetitive wording and other common errors.

3. Show Don’t Tell
This is a big newbie mistake.

He was sad.
She was amazed.
The look on her face was happy.

Now go through your manuscript and pick out all the times an emotion is simply stated and not described. Instead of writing “He was sad,” try something like “his shoulders slumped” or “his eyes were etched in grief.” Instead of writing “She was amazed,” experiment with different descriptions. One of the most helpful resources I’ve found is The Emotion Thesaurus.

A seasoned reader can spot a badly written, amateur book a mile away and usually within the first two pages. And…it will be more interesting for your reader if you allow them to visualize what’s going on.

4. Too Much Interior Thought
When I presented the initial draft of my first novel to my editor, one of her biggest complaints was “too much interior thinking.” When a character’s italicized thoughts are on every page, twice a page, that’s too much. It’s almost as if the author is lazy and just wants to tell the reader exactly what the character is thinking. Interior thought is fine when used sparingly, but not several times a page. Describe how they’re feeling instead.

5. Comma Errors, Grammar Errors
A great book for helping fix comma errors is:Eats, Shoots and Leaves. As well, search on Amazon for good grammar books. There are many.

6. Exclamation Points!
First-time novelists tend to use too many exclamation points. Do a search and omit most of them (replacing them with descriptions of the tone or face).

7. Too Much Dialogue
My first novel, Emily’s Hope, is 60 percent dialogue and 40 percent narrative. As a beginner, I didn’t know any better. Quality novels tend to use dialogue to serve the narrative, not the other way around. Dialogue can also be a lazy way to show character development. Dialogue is important, but if it’s the mainstay of your book, write a screenplay instead.

8. Underestimating the Intelligence of the Reader (e.g. hitting the reader over the head)
Here’s an example: He was sad. He was depressed. It was hard for him because he seemed so sad. Okay, we get it. He’s sad. Once is enough…and even at that, it’s better to describe what he looks like and feels like.

9. Avoid Descriptive Clichés or Sayings
“She felt like a million bucks”
“Smoother than a baby’s bottom”
Well, you can think of many. Create your own descriptive metaphors and similes instead of using well-known cliches.

10. Point of View
Many first-time novelists tend to use omniscient point of view (POV), that is, in any given scene, the author shows what’s going on in everyone’s mind, even within the same paragraph. This is difficult to do well, even for the experienced, bestselling novelist. And…it can be confusing for the reader. If you want your readers to bond with the characters, try using third person (intimate) POV. For more information, check out my guest post for Savvy Authors.

Eliminating these common errors will improve your manuscript before it even gets to the editor.

Are you working on a fiction manuscript? Do you have any favorite writing books you’d like to share? Please feel free to comment below.

Image purchased from iStock.

Text copyright 2013 Ellen Gable Hrkach

President’s Message – January 25

photo copyright Ellen Gable Hrkach

Here in Canada, the longest month of the year is January, not only because it has 31 days, but because it’s usually snowy, cold and dreary for most of the month. It hasn’t exactly been dreary, but it has definitely been snowy. To date, we’ve had 83 cms of snow (just under three feet) with no indication that it will slow down.

Strangely, enough – and I’m not sure this is the case for other writers – January is usually my most “fertile” writing month. Ideas come so fast I don’t have enough time to write them all down. Not sure why, but it’s been that way for the past ten years.

On a sad note, we have had to cancel the Catholic Writers Conference Online this year. CWG has been holding an online conference for the past six years. I’ve attended and presented at most of these and have enjoyed them immensely. Karina Fabian, the past coordinator, writes about it here.

We are still holding the Catholic Writers Conference Live in Somerset, New Jersey (August 7-9), as well as our Catholic Writers’ Retreat in October. We’ll be sharing more details about both of those upcoming events in future blog posts and newsletters.

And, for those of you who have difficulties with the Catholic Writers Conference website, a newly revamped, newly designed, more easy to manage website is coming.

I will keep all of you in prayer and hope you will do the same for me.

Blessings,

Ellen Gable Hrkach
President, Catholic Writers Guild

Creaky Bones? Fitness for Writers

Spring Break Joy from morgueFile Free Photos - clconroyMy granddaughter, who is three, thinks that I am really (stretch that word out for maximum effect) old. We have a standing joke: Gramma has ‘creaky bones’. We even have a song and a dance to go with it, and it’s great fun. Of course, I’m not that old, nor do I have creaky bones. Er, well, since this is the Catholic Writers Blog, I’d better be totally truthful.

Most of the time I don’t have creaky bones.

But sometimes I do, and this condition is most often associated with writing, one of my favorite activities in the world.

However, writing is a solitary activity that is most often done while sitting. There are some issues common to writers, simply because of the nature of the work. Neck soreness, posture problems, difficulty in managing weight, carpal tunnel syndrome… The list goes on, and I wouldn’t be surprised if you can add to it.

Big, big disclaimer here! I am not giving any medical advice, just pointing out common sense things we can do to counteract the, ahem, hazards of our profession. For some great discussion and support, visit The Healthy Writer. This blog was formed a couple of years ago by authors who recognized the benefits of raising awareness regarding health topics specific to writers.

One of the first things to address is the ergonomics of your work station. Invest in a great chair – not a good chair, a great one. Find one that encourages – nay! – compels good posture. You’ll have to provide the muscle for attaining and maintaining that posture, although often all that is required awareness of your spine, shoulders, and alignment. For me, when I think about it, I sit up straight. When I don’t, I can count on encountering creaky bones.

Getting up from the chair is important, too. Some writers set timers to stay in the chair and write; don’t overlook the idea of setting a timer to get out of the chair once an hour and walk around. I sometimes lose track of time when I’m absorbed in my work, and when I surface, I’m stiff. It helps to get up, step outside, and remind myself there is a beautiful world out there. It clears my mind, too, which is always a plus when I go back to work.

You can spend a lot of money to buy a treadmill work station, as they are making inroads in some work environments.  Or you can jerry-rig a desk to an existing treadmill. (I did mine with a piece of plywood and a couple of bungee cords.) Either way, set it at a very low pace and write as you stroll. While you aren’t building a sweat and knocking out the miles, you are moving. Here’s a great example of making it fun, too: award-winning author Caroline Fyffe “Walking Across America” on her treadmill. There are also stationary bicycles out there that incorporate a built-on desk. Again, with a bit of ingenuity, you can get a similar end product without spending as many dollars. (*I am not endorsing any products; these were simply links I came across while researching.)

Stretching, yoga, or swimming can be good for tight muscles. Weight lifting can build muscle and increase metabolism. Pay attention to what you put into your body, too. Choose healthy foods; drink adequate water and don’t overdose on caffeine, that quintessential author staple!

Some simple stretches that I’ve learned (again, check with a doctor or physical therapist if you have any musculoskeletal issues) include putting my arms out to the side, elbows level with or slightly above my shoulders, then bending at the elbow and lifting my hands so I look like a football goal post; I find a door and rest my forearms and palms on the jambs and gently lean forward. This gives a great stretch to the chest muscles, which tend to tighten up as I hunch over the computer.

Another great one: extend one arm straight out to the front at or near shoulder height, palm up; bend the wrist so palm is up and out, away from the body, and fingers point toward the floor. Use the other hand to apply gentle traction to palm and fingers for stretching. This may help relieve symptoms of carpal tunnel syndrome.

For any stretch, do what you are able and do not force a stretch, ever. Also, never bounce or apply jerky pressure to a stretch.

If you’re on a deadline or feeling pressured, take frequent breaks to roll your shoulders and roatate your head and neck. The best stress-buster of all? Hugs. You can’t find a better tension reliever than that.

Do you deal with other physical challenges as a result of your vocation as writer? Have any tips for the rest of us? Please share! I know I’m not the only one!

Digital, Print or Both?

photo copyright Ellen Gable Hrkach

New self-publishers often ask the question: should I go digital, print or both?

Ten years ago when I was in the beginning stages of self-publishing my first book, I never considered offering my book digitally on a wide scale. Although I occasionally sent PDFs to reviewers, the digital revolution had not yet taken off. As well, I was concerned about e-book piracy (which will be a topic of a future post).

Fast forward seven years. On a whim, I decided to convert and upload my first two books to Kindle (at the time, there were no conversion programs…it took weeks of trial and error to figure out how to do it). However, this “whim” soon became the best publishing and financial decision I ever made.

For more on how my e-books became successful, check out my previous blog post.

If I were doing it today, I would probably do both. However, digital publishing is ideal to start with since there are no major printing costs to spend up front and you can reach millions of people within hours.

I still use a printing company (more on “print-on-demand” companies in a future post) for hard copy books, but I sell many more e-copies than print. Because of this success, my company is now publishing other authors’ books.

Here are some pointers I’ve come up with for publishing e-books:

Use Professional E-Conversion Companies (or learn how to do it professionally yourself)
Once you’ve uploaded your book to Kindle, use the previewer to determine whether it’s formatted properly…I can’t tell you how many times I’ve downloaded a book (some by established authors) that was not formatted correctly, like missing words, letters or words on different lines, which makes it difficult to read.

Editor
E-books still need editors. Check out my previous post about editors.

Cover Designer
I can usually tell a self-published book a mile away by the look of the cover. Please employ a professional. The cover design should be a normal cover size (and please, not a horizontal rectangle!)
Check out my previous post about covers.

Book Blurb
Must be well-written and short enough to pique your prospective readers’ interest, but not give them too much information.

Kindle KDP or Kindle, Nook, Kobo etc.
You must decide whether to go exclusively with Kindle KDP or have your book be available on other e-reader sites. The advantages of having your book exclusively on Kindle is that you can do free promotions (successful free promotions almost always bring a surge in actual sales following the free promotion). Your book also gets to be part of the KDP Library that Amazon Prime members can borrow for free. But that doesn’t mean you don’t get paid. A few months ago, for every borrow, I actually received MORE money than I did for each sale (2.20).

To find out more about the KDP Program:
https://kdp.amazon.com/self-publishing/KDPSelect

If you’d prefer to have your book available for other e-readers, check out Smashwords as they are a distributor for the other e-readers. A warning, however: Smashwords does not offer the same sort of piracy protection that Kindle does. (E-book piracy will be a topic of an upcoming post…)

Digital or Print? I’d say do both…but start with digital!

Next month: Print on Demand or Off Set Printing?

If you have any comments or questions, feel free to comment below.

Copyright 2013 Ellen Gable Hrkach

2013 Catholic Writers Conference Online CANCELED

2012 proved to be a difficult year for many of us, and we’re sorry to have to begin 2013 on such a sad note.  Circumstances beyond our control have caused us to cancel the Catholic Writers Conference Online, which was scheduled for March 4-15.  It was a combination of several factors, and not a decision reached lightly.  We had high hopes for this conference and some wonderful workshops planned, but alas, it was not meant to be.

We’d like to thank the generous people who volunteered to present and moderate at CWCO in March; it is through no fault of yours that the conference faltered this year.

In the meantime, we are still going ahead with the writers’ retreat October 13-17, 2013, at St. Francis Retreat Center, Dewitt MI.  The speakers will be Michelle Buckman, Al Kresta, Father Matthias Thelen, David Krajewski.  We are not sure of the fee yet, but will keep you informed.

In addition, we are also holding the Catholic Writers’ Conference Live on August 7-9, 2013 – Garden State Exhibition Center, Somerset, NJ.  We are in need of presenters, and thanks to a generous contribution, are able to pay small stipends to speakers this year.  Please contact Ann Lewis at treasurer(at)catholicwritersguild.com if interested.  We will also need volunteers, and as always, will provide hotel rooms and free admission.

Book Review: The Way to Eternal Life

Editor’s Note: This month, several of our columnists have been reading The Way to Eternal Life. Today, Larry Peterson shares his review.  Thank you to Abbey Press for making this book available to our blogging team.

THE WAY TO ETERNAL LIFE: Contemporary Reflections on the Traditional Stations of the Cross

Written by:  Brother Francis de Sales Wagner, O.S.B.

Illustrations by:  Father David Walpole, O.S.B.   May 1, 1917—-January 27, 2012

Published by Abbey Press;  St. Meinrad, IN 47577       82 Pages

Let me say right off the bat—I loved this book by Brother Francis. I think it is the most beautiful journey along the path of the Stations that I have ever taken.  Having said that, now I shall tell you why.

You may think that using the word “beautiful” to describe The Way of The Cross is the wrong word to use but, for me, that word encapsulates this presentation of this devotion. We begin each station with a painting by Father Donald Walpole (Fr. Donald passed away in Jan, 2012, and his credits are listed in the book). First, we pause, looking at the picture which draws us into where we are going.  Then Brother Francis leads us along in meditation.  We walk along watching as Jesus is condemned to death all the way to when His defiled, dead body is laid in the tomb. As horrific as our Lord’s passion and death was, Brother Francis has managed to draw us into the full meaning of what happened and we are led to a deeper understanding of how we all are responsible for the journey Jesus had to make. The journey makes us stronger, wiser, and humbles us so we not only accept but also feel the love poured out by our Savior for us. BEAUTIFUL!

In the introduction, Brother Francis uses the analogy of a baseball player being asked to bunt (known as a sacrifice because the batter gives up his chance to hit).  The purpose of the bunt is to move the base-runner along and hopefully get him home. We are challenged to remember that all of us are base-runners and our job is to be smart on the bases and make it home. When we make it home and score it validates the value of the sacrifice. We, as Catholic Christians, are all part of Jesus’ team. The only way you can be cut from this team is if you decide to turn your back and cut yourself. But, here is another BEAUTIFUL part. You can always come back. How cool is that?

My personal experience with The Stations of the Cross is through attendance in church during Lent where the congregation uses either the traditional “Way of the Cross” from pre-Vatican II complete with the Stabat Mater, or a more modern version titled, “Everyone’s Way of the Cross”, which uses a more secular approach to the stations. Both of these familiar devotions take about 30 minutes to complete as the priest or deacon walks from station to station.

Bro. Wagner’s book takes us into an expanded more contemplative journey, and his book is wonderful for personal reflection.  It is meant to be read slowly and pondered upon, drawing the reader into a deeper understanding of the mystery of the Cross. If time permitted, it could be used in a church setting.

This year Lent begins on February 13 and I think Catholics should seriously consider adding this book to their Lenten devotions. You might find some quiet time alone and take just ten or fifteen minutes a day meditating on several of the stations in Brother Francis’ book. Then come back the next day and continue. I guarantee you one of the most profound Lenten experiences you will ever have.

 

The Christmas Octave–a Beautiful Yet Paradoxical Week

Hi Folks and Happy New Year to all of you. Well now, the Christmas Octave has been one wild, week long journey, has  it not? We left  the depot wrapped with the peace, joy and love of Christmas Day, and our first stop was at the stoning execution of the first martyr, St. Stephen. We got a day off and then stopped at the massacre of the Holy Innocents, moved on to the murder of St. Thomas Becket, celebrated the Holy Family, and finished our trip today,  with the Solemnity of Mary, Mother of God. Paradoxical or what?

We have adorned our Blessed Mother with many titles (47 different ones I believe), and she is the greatest of all saints. She has been spared from original sin, and was taken into heaven body and soul, never having to die in this world. But, before she left here she lived here, as a woman, a mom, and a housewife.  I think we do not pay enough attention to the earthly life of our heavenly Mom.

Don’t forget, this woman had survived the possibility of execution by stoning  because she was pregnant prior to her marriage. You can’t tell me that she did not think about the potential consequences of her pregnancy. (Even her Son, the God Man, broke into a sweat in the Garden of Eden thinking about what was coming. Why wouldn’t  Mary be worried?) She knew she was pregnant, she knew this was an extreme violation of Jewish law, and she knew the penalty.  Her life was out of her hands, and her fate thrust into  the hands of another, a man named Joseph, her betrothed. Fortunately, he was the best fiancé ever, married her, took her in and accepted her child as his.

Then, at full term in her pregnancy,  she has to travel with her husband over 80 miles on a donkey to be counted in a census.  She survives the four or five day journey (no rest-rooms between Nazareth and Bethlehem) and the countless contractions she must have had along the way, to discover that her frantic husband cannot find a place for them to stay.  She winds up giving  birth in a stable with smelly animals,  lots of straw, no running water, and who knows how clean those swaddling clothes were. She was probably all of 14 years old.

Let’s not forget that after awhile word comes to them that Herod wants to kill her baby. Hey all you moms and dads, how would you like to know the head of the government has authorized your child’s execution? Can you imagine? So, this poor young mom  is forced to make a 300+ mile journey to Egypt, hiding her child as best she can, while all the time hoping her carpenter husband can elude the soldiers searching for them. Talk about anxiety. Talk about fear. Talk about having Faith and praying like you never prayed before.

It probably was a year or two before the family made it back to Nazareth. Here they probably lived in a typical baked clay and straw brick house. Each day Mary would have to sweep the beaten clay floor, go to the cistern for water, travel outside the town walls for daily necessities such as spices and grain which she would have to grind  into flour to bake fresh bread (no preservatives in those days). Of course, there was the laundry.  Trust me, there were no laundromats and there were no detergents. There were also no diapers or Pampers or band-aids or cough syrups or baby powder or microwave chicken nuggets or McDonald’s either.  Her husband would be in his shop doing his carpentry chores and her boy, Jesus, would be with His dad or maybe helping His mom. And life would go on, day after day after day and and ultimately transpose into the Greatest Story Ever Told. You have to LOVE IT, from Beginning to Never-Ending.

 

 

President’s Message

Hello CWG Members!

On behalf of the entire Catholic Writers Guild Board, I’d like to wish you and your families a very Merry Christmas and a Blessed New Year!

I’d also like to take this opportunity to formally welcome Jennifer Fitz to our board as Vice President. I had the pleasure of meeting Jen at the past CWG Conference in August in Dallas. She’s already become an asset to the Board. Ann Lewis, CWG’s devoted and conscientious past president, is now our Treasurer so if you have any questions for her, she can be reached at treasurer(at)catholicwritersguild.com. Other long-time board members are Karina Fabian (past president) as Committee Coordinator and Dave Law as Secretary.

The Catholic Writers Guild has been busy during the month of December recruiting members to volunteer in various positions. Karl Erickson is our new blog news coordinator. If you have any new and exciting book news or information you’d like to share, please send it to erickson1990(at)comcast.net Other new volunteers are Larry Peterson and Nancy Carabio Belanger. Again, many thanks for stepping forward to help!

It’s been an exciting year for the Guild. A well-attended online conference took place in March and a live conference in Dallas in August were two of the highlights. We received a large grant towards our conferences and retreat next year. Several of our members were featured in the June/July Catholic Digest article and more will be featured in the January issue. Some of our members appeared on EWTN’s Bookmark show. More and more people are becoming acquainted with the Guild, so our membership is increasing!

Don’t forget about our online conference which takes place March 4-15, 2013! We’ll be sending out special notices on that event soon. For those of you who can’t travel, this free conference is for you! Please consider attending. We’ll have hour-long chats and week-long workshops, plus opportunities to pitch to Catholic and secular publishers and (hopefully) agents. In addition, we’re trying to schedule some critique sessions.

If you have a novel that was released in 2012 or 2013, please consider entering it in the CALA’s awards. For more information, check out the link here.

And, as always, if there’s anything I can do for you, please feel free to contact me: president(at)catholicwritersguild.com